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・ William Ernest Goodman
・ William Ernest Hamilton
・ William Ernest Henley
・ William Ernest Hocking
・ William Ernest Johnson
・ William Ernest Miles
・ William Ernest Miller
・ William Ernest Payne
・ William Ernest Reed
・ William Ernest Shields
・ William Ernest Smith
・ William Ernest Staton
・ William Ernest Stevenson
・ William Ernest Tummon
・ William Ernest, Duke of Saxe-Weimar
William Ernest, Grand Duke of Saxe-Weimar-Eisenach
・ William Errington
・ William Errington (priest)
・ William Erskine
・ William Erskine (diplomat)
・ William Erskine (historian)
・ William Erskine (master of Charterhouse)
・ William Erskine Baker
・ William Erskine Johnston
・ William Erskine Knowles
・ William Erskine, Lord Kinneder
・ William Erwin (American football)
・ William Erwin Antony
・ William Erwin House
・ William Esdaile


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William Ernest, Grand Duke of Saxe-Weimar-Eisenach : ウィキペディア英語版
William Ernest, Grand Duke of Saxe-Weimar-Eisenach

Wilhelm Ernst Karl Alexander Friedrich Heinrich Bernhard Albert Georg Hermann ((英語:William Ernest Charles Alexander Frederick Henry Bernard Albert George Herman)) (10 June 1876 – 24 April 1923) was the last Grand Duke of Saxe-Weimar-Eisenach.
==Biography==
He was born in Weimar, the eldest son of Karl August of Saxe-Weimar-Eisenach, heir to the Grand Duke, and his wife Princess Pauline of Saxe-Weimar-Eisenach.
He succeeded his grandfather Karl Alexander as Grand Duke on 5 January 1901, as his father had predeceased him.
His heir was a distant cousin, Prince Hermann of Saxe-Weimar-Eisenach, until his disinheritance in 1909. Hermann's younger brother subsequently served as heir presumptive to the duchy of Saxe-Weimar-Eisenach until the birth of William Ernest's eldest son.
Wilhelm Ernst created the new Weimar city center under the direction of Hans Olde, Henry van de Velde, and Adolf Brütt. Also, he also had the University of Jena rebuilt by Theodor Fischer, and also reconstructed Weimar's famous theatres. The improvements to the city included a marble statue of his predecessor Charles Alexander, which was completed in 1911. It was placed in a setting designed by Brütt. The placement of the setting was designed to distinguish the "Old Town" from the newly built area. A preservation law for the "Old Town" barred it to the "art nouveau" style which was used in the new area.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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